Tabla Honours Theory

SEMESTER -1, PAPER-1

UNIT-1

a)      Knowledge of Taal system- Hindustani and Karnataki

b)      Details study of Indian instruments with examples

c)      Tala system as describrd in SangeetRatnakar

d)      Merits and demerits of Tabla player

UNIT-2

a) Gharanas of Tabla

b) Short notes (with examples):- sangeet, Peshkar, Quida, Palta, tihai,Mukda,Tukda, Gat, Dupalli, Tripalli, Choupalli

c)Method of writing in Taal Notation including Tala and fixed composition

d)writing tala notation in digun,teengun,chougun(sam to sam)

e)Life sketch:- Ustad Abid Hussain Khan, Ustad Habib Uddin Khan, Pandit Ram Sahay

                                   

                                               SEMESTER -2, PAPER-2(THEORY)

UNIT-1

 a) Tala system as described by NatyaShastra

 b) knowledge of tala notation system- Bhatkande and Paluskaar

UNIT-2

a) Baj of Tabla

b) Define with example:- chakradhartukda, paran, chakradharparan, Rela, Nabohokka, ekhahattiparan, laggi, ladi, bant, chal

c) Writing North Indian to South Indian tala system

d) General study of the musical forms:- Dhrupad, dhamar,kheyal, tarana, thumri, tappa, bhajan, gazal

e) Life sketch:- UstadMasit Khan, AhmedjaanThirakwa, UstadWazidHussainKhalifa

 

SEMESTER -3, PAPER-3

THEORETICAL STUDIES OF TABLA-3

UNIT-1

a) Compare study of tihai(damdar and bedamdar, chakradhartihai)

b) Definition of Char-bag,Lom-bilom,Lapet, Begorkita,Kholifa,Bardi,Silsila, Bandish

c) knowledge of adi, Quadi & Bidailaya (barabar & ekabartan)

UNIT-2

a) Ability to make composition and to write in notation of quida- identical tala

b) Comparison of quida-Rela, Gat- Paran, Laggi-Ladi

c) Definition of Tala and study of ten Prans (DashaPran) of tala.

 

                    SEMESTER -4, PAPER-4

THEORETICAL STUDIES OF TABLA-4

UNIT-1

a) Knowledge of the south Indian Tal System

b) Knowledge of talMetre & bolmetre with tal notation system

c) Brief study of Kirtanangiyatal

UNIT-2

a) Study of RabindrikTala System

b) Identification with examples- gat, gat-quida, gat-paran, gat(with tihai&without tihai)

c) Knowledge of Mukda&how to use it with Vocal (classical)

  

             SEMESTER -5, PAPER-5

THEORETICAL STUDIES OF TABLA-5

UNIT-1

a) Knowledge of different talas of Kirtan

b) Life sketches of Pt. Samta Prasad, Wazid Hussain Khalifa, Keramatulla Khan

c) Definition of Gharana & its importance in the field of Tabla

UNIT-2

a) Broad discussion on the topic- “Life is heartless without music”

b) Importance of Music Seminars

c) Preliminary knowledge of scale

UNIT-3

a) Definition of the following terms with examples:- Uthan, Chalan, chauopalli, Bant, Paral

b) A detailed study of Vishnu DigamberPaluskartal notation system

c) A detailed study of the origin of Tabla

UNIT-4

a) Compare study of the following pairs:- Tihai- Chakradhar, Peshkar-Quida, Duoalli- Dwipadi

b) Principles of Solo performance

c) The importance of Chhanda in Tabla composition

               

SEMESTER -6, PAPER-6

THEORETICAL STUDIES OF TABLA-6

UNIT-1

a) Knowledge of different types of Western musical instruments

b) Importance of music in General Education

c) Knowledge of Guru-Shishyaparampara vs. institutional system of music training

UNIT-2

a) Discussion on the importance of  music festival

b) Importance of music in fine arts

c) Discussion on the features of the following bajs:- Farukhabad, Benaras, Delhi

d) Discussion of the propagation of music through audio- Visual

UNIT-3

a) Knowledge of Indian music and spirituality

b) Concept of principles of Accompaniment

c) Different taal vadyas in modern times and their uses

UNIT-4

a) Knowledge of the tala system of Western music

b) Concept of bearing of Folk music in Classical music

c) Music and  Society